2025
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
10.0/10
Peter Medak's films toy with notions of cosplay, masquerade, gamesmanship, and how power and permission structures figure into these human diversions. His filmography includes The Ruling Class (1972),...
I Watched...
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
Genre: Dokumenter
Peter Medak's films toy with notions of cosplay, masquerade, gamesmanship, and how power and permission structures figure into these human diversions. His filmography includes The Ruling Class (1972), The Changeling (1980), A Day in the Death of Joe Egg (1971), The Krays (1990), and others, all which capitalize on these ideas. Sanity is fragile, ephemeral, and suspended from a very thin tether in all his films. This piece gets to the bottom of why Medak centers his work on such themes, and why they carry biographical weight for him personally.
Your Rating:
Your Review:
Konfirmasi Hapus
Apakah Anda yakin ingin menghapus item ini dari daftar watched?
Share to Forum
Konfirmasi Hapus
Apakah Anda yakin ingin menghapus item ini dari daftar watched?
Daniel Kremer
Director
Daniel Kremer
Writers
Cast
Peter Medak
As Self
Daniel Kremer
As Narrator
Peter O'Toole
As Archive
Glenda Jackson
As Archive
Alan Bates
As Archive
Peter Sellers
As Archive