1972
Girl
3.1/10
It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of watching her (while she is looking at you) her express...
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Girl
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It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of watching her (while she is looking at you) her expressions and movements turn into a 'mirror' for the viewer to experience his or herself. The experience is solely emotive between you and her, and occurs in "real" time. (Stephen Dwoskin)
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Stephen Dwoskin
Director
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Linda Marlowe
As